Public and Performance in the Greek Theatre. Préhistoire de la fuite

de la fuite

jamais loin de la Haute-Corrèze où il grandit

Spéculations et fantasmes ont été d’autant plus nombreux que voir une baleine vivante a longtemps été rare

Caroline Maniaque

de lecture d’abord

Public and Performance in the Greek Theatre. Préhistoire de la fuitePeter Arnott discusses Greek drama not as an antiquarian study but as a living art form. He removes the plays from the library and places them firmly in the theatre that gave them being. Invoking the practical realities of stagecraft, he illuminates the literary patterns of the plays, the performance disciplines, and the audience responses. Each component of the productions audience, chorus, actors, costume, speech is examined in the context of its